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8092. Ms. No - 3/15/2006 8:51:09 PM I'm passionate about this play in particular because of my experiences with it. I'm sure I get a rather manic glint in my eye when I talk about it. ;-> 8093. anomie - 3/15/2006 10:23:13 PM Ms. No, I will seek it out and watch it, no doubt thinking of you the whole time.
On the subject of unconventional musicals, I am fascinated with a French movie called Eight Women. A murder in an isolated house is the setting for eight women, (all stars in their own right), of various relations sing songs, do silly dances, and act out petty squables. 8094. Ms. No - 3/15/2006 10:44:48 PM Ano,
I don't know that there is a film of it worth watching. I know that the Steve Martin - Bernadette Peters Pennies From Heaven is also based somewhat on 3-Penny, but I liked Shadows and Fog much better --- and it has the advantage of not being a musical. ;-> 8095. Ms. No - 3/15/2006 10:47:36 PM I'd never heard of 8 Women but I just looked it up on Netflix and saw who's in it and now I'm definitely going to have to check it out. Thanks for mentioning it! 8096. anomie - 3/15/2006 10:50:49 PM I think you'll see why I used the word "fascinated". It's one of the oddest movies I've ever seen. 8097. uzmakk - 3/16/2006 1:20:46 PM Ms. No,
Your introduction of 3 Penny Opera was apt and an education. My highschool drama club staged 3 Penny. They were an ambitious bunch. All I recall at this point is that I was impressed. 8098. uzmakk - 3/17/2006 5:42:13 PM Conner,
You asked if my apparent "not wishing to understand" as due to fear or a lack of confidence, that if I began to understand/empathize I might feel the foundations and illusions of my own goodie-two-shoes being/morality begin to crumble and wash away and this would scare me. The honest answer is no. Though I do have it in me to strangle a man to death, and though I do understand a good deal of the "causes of crime", I don't get any sensation of sliding toward hell with either dread, joy, or resignation. It is the sliding that is supposed to scare me, is it not?
Aren't you being a bit cowardly by turning the important dirtywork of society over to a professional, because you are fearful that you may be suffering from a bit of socioreligio remnantitus?
But, speaking of fear and lack of confidence 8099. uzmakk - 3/17/2006 5:43:53 PM Heavens, I have to get used to the Mote again. Sent that baby out without a second look. 8100. Ms. No - 3/17/2006 6:59:38 PM I'm still trying to figure out where you get judges and laws that don't come out of the social values of a democratic nation --- assuming one's nation is nominally democratic. 8101. alistairConnor - 3/17/2006 7:14:14 PM Hell, No, I don't believe I said any such a thing. I merely said that the business of prosecuting and judging offenders should be held at arm's length from the gut reactions of ordinary decent citizens.
And no, the process of forming laws is roughly similar in the US, France, and New Zealand. That's not the question I was discussing.
Both laws and justice must, obviously, come out of the social values of a democratic nation. But both need a lot of scrutiny, and need to be constantly measured against values which must necessarily underpin a nation which is "democratic" in the full sense : in particular, standards of individual human rights.
Otherwise, in a narrowly-defined democracy, 51% could vote a law to cut the balls off the other 49%. 8102. alistairConnor - 3/17/2006 7:28:24 PM Uz, my remarks in Message # 8068 were provocatively ad hominem, perhaps because if I addressed your views in political language it would have been even nastier.
But perhaps I misunderstood. We probably agree that justice should be administered in an unsentimental manner. To me, this cuts two ways :
- it means that justice should not go soft out of pity for people who didn't get a good start in life;
- it also means that it should not seek to punish out of anger and revenge.
Justice ought to seek the best outcome, and needs not only to be just (and seen to be just) but to be effective. This might mean that some idiot who burns down a church or ruins a football field gets some sort of non-custodial sentence, for example, because sending him to jail would turn him into a full-time criminal, at a far greater overall cost to society than if he's forced to spend his time helping out old folks or kids for a couple of years.
A justice system which is closely coupled with public opinion is not likely to have the latitude to develop effective strategies. We don't vote on the structural design of bridges; we don't elect the engineers either. 8103. arkymalarky - 3/17/2006 7:36:34 PM Otherwise, in a narrowly-defined democracy, 51% could vote a law to cut the balls off the other 49%.
That's already been done in the US.
8104. Ms. No - 3/17/2006 8:01:58 PM Connor,
I confess to twitting you a bit, but your original post gave me the impression that you believe the justice system in America consists of little more than wild-eyed mobs appointing a nominal "Judge" to oversee lynchings in the town square.
Most of our judges are hired or appointed not elected just as are most attorneys for the State.
8105. judithathome - 3/17/2006 8:17:57 PM MsNo, have you ever seen a production of Jacques Brel Is Alive And Well And Living In Paris? I think you'd really like it. 8106. judithathome - 3/17/2006 8:18:54 PM Also, check Neflix for a French movie called Le Bal. 8107. uzmakk - 3/17/2006 10:36:18 PM Connor,
I guess you don't think much of the jury system. It puts the mob right into the middle of the whole process. 8108. uzmakk - 3/17/2006 10:39:15 PM the mob= "ordinary decent citizens"
8109. PelleNilsson - 3/17/2006 10:49:53 PM Or the reverse. 8110. alistairConnor - 3/18/2006 12:02:22 AM You've intrigued me with the Brel thing, Judith... tell me about it! 8111. Magoseph - 3/18/2006 12:27:47 AM It's playing soon, the 17th, I think.
Jacques Brel is Alive and Well and Living in Paris - Musical
Jacques Brel is Alive and Well & Living in Paris is a musical revival which originally opened off-Broadway at The Village Gate Theatre in 1968 and ran for more than four years, often playing to sold-out houses. Often referred to as the Bob Dylan of France, Jacques Brel wrote songs about people actively questioning their own values as well as the rising tide of conservatism around them. With a cast of four actors and four musicians, the show celebrates Brel's relevance and enduring passions. Translated from the French by American poet Eric Blau and lyricist Mort Shuman, the show is a blend of ballads, tangos, boleros, rock and classics. Each piece tells a story, examining themes of love, war, adventure, broken dreams, people from all classes, being young, growing old and death, but always remembering life has much humor in it.
Cast Members:
Robert Cuccioli, Natascia Diaz, Rodney Hicks, Gay Marshall
Venue:
Zipper Theatre
336 West 37th Street (Between 8th and 9th Avenues)
New York NY 10018
Running Time:
Approximately 2 hours, including one 15 minute intermission
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